SINO is among the pioneers of the graffiti movement made in France. Around him, he observes this phenomenon which is taking more and more importance: the tag. It is thus in 1986, that he begins his work on the letter. Just like his predecessors, he imposes his signature in this style that he surrounds him. The train stations are particularly appreciated by these artists and Sino. Because a very large crowd of public transport users saw their mural frescoes on the enormous dimensions of the concrete walls that served as an exhibition.
SINO is unquestionably one of the leading figures of this movement both in Puteaux and in the Paris region as a whole. In his works on canvas, the letter always represents the pillar of his reflection and his creative process. The particularity of his work is that he plays on the density of colors and the different tonalities it represents. The letter, his predilection in perfect harmony with his composition, transcends itself in all the colors and familiar patterns of his style. This allows him to propose to his spectator a real journey through his universe.